Check the preference settings and reduce the minimum point size, if necessary. It’s usually best to keep kern tables turned on for all sizes. Use Preferences/Character to control the point size at which built-in kern tables are turned on. There are several ways to control kerning in QuarkXPress.
#Quarkxpress font manual#
Remember that no matter which of these settings you use, you can always add manual kerns “on top,” as needed. The Character Palette has another useful kerning feature: if you highlight a character pair or chunk of copy and set the Character Palette kerning to 0, the selected text will be displayed without any of the built-in kern pairs. However, the real value of the Optical setting is that it automatically adjusts the fit when different fonts or type sizes are combined (see illustration). This can be useful when a font has few or no built-in kern pairs, or when the overall spacing seems uneven. Instead, it lets InDesign determine the spacing and kerning between all character pairs. The Optical setting does not use a font’s built-in kern tables. (In Adobe Illustrator, the Metrics setting is called Auto.)
If the font has adequate kern pair tables, this default setting is usually the best choice. The Metrics setting uses a font’s built-in kerning pairs. Adobe InDesignĪdobe InDesign offers three options for controlling kerning, all located in the Character Palette. Here’s an overview to help you get the most out of these full-featured applications. QuarkXPress® and Adobe® InDesign® both offer advanced type-handling features, including options to control and customize kerning.
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